Mausoleum air and anguished pauses: If this production were a poem, it would be mostly white space. Richard Corliss airanguishmausoleum Change image and share on social
If you were a kid in the 1950s, and you got nightmares from a story in a horror comic book, you have Al Feldstein to blame. If you were a kid in the '60s or '70s, giggling at 'MAD''s prankster wit, you have Feldstein to thank. Richard Corliss 1950s60s70s share on social
Like 'God's Not Dead,' the fundamentalist Christian movie that has become a popular hit, 'Transcendence' is essentially a dramatized debate. And as 'God's Not Dead' stacks the rhetorical cards for the Deity's existence, the Pfister film eventually hangs back with the Luddites. Richard Corliss backcardchristian share on social
Ask Bond-watchers of a certain age about the six actors who have slipped into Bond's Savile Row suits in the Broccoli franchise, and they might say it's really Connery and five other guys - since he, being first and being Sean, stamped the role with his sulfurous masculinity. Richard Corliss actoragebond share on social
'TIME''s spell-check always admonishes me whenever I compose a sentence in the passive voice, a warning that is often ignored by me. Richard Corliss admonishcheckcompose Change image and share on social
World War II was a historical event, but also a movie genre, and 'Fury' occasionally prints the legend. The rest of it is plenty grim and grisly. Audience members may feel like prisoners of war forced to watch a training-torture film. Richard Corliss audienceeventfeel share on social
'The Birth of a Nation' occupies a view of the South not far from Scarlett O'Hara's in 'Gone With the Wind,' and modern audiences have to wrestle with that beloved movie's romanticizing of racism. Richard Corliss audiencebelovedbirth Change image and share on social
Texting has reduced the number of waste words, but it has also exposed a black hole of ignorance about traditional - what a cranky guy would call correct - grammar. Richard Corliss blackcallcorrect Change image and share on social
On 'American Top 40' the Kasem voice soared and swooped, like an expert aural acrobat, through promos, jingles and dedications, usually rising to a dramatic peak for the top-selling song of the week. Richard Corliss acrobatamericanaural Change image and share on social
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s. Richard Corliss bigboxbrother share on social