Top 102 Quotes by Richard Corliss

The 1930s birthed two great agrarian novels: 'Gone with the Wind' from the viewpoint of the ruling class, 'The Grapes of Wrath' for the underclass. And both were turned into movies that dared to be true to the books' controversial themes.

Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.

A movie like 'Transcendence' may be pertinent in its political reverberations of all computer data held in a cloud and monitored by the NSA, but it also rails against the tools its makers so artfully employ.

Although the Academy prefers their Best Pictures grounded in realism, not fantasy, Lee's 'Life of Pi' win proved that the voters understand and appreciate the qualities a visionary director needs to create an otherworldly adventure.

The typical baseball play is a pitcher throwing a ball and the batter not swinging at it, while the other players watch. Even a home run, the sport's defining big blast, is only metaphorically exciting; a fly ball that leaves the yard changes the score but may offer no more compelling view than an outfielder staring up.

In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.

A movie like 'Selma' should be a relic in a time capsule from 1965, a clue to how well we heeded King's words and how far we have advanced. Instead, it is a reminder that the 'American problem' has yet to be solved.

The movie truism is that stars play themselves, while actors play other people - troubled or toxic, and memorably strange. By that definition, Philip Seymour Hoffman, who disappeared into the rabbit hole of his characters' souls, was our generation's anti-star and the chameleonic film actor of his age.