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I always thought that as much as I love 'White Jazz,' it became almost unfilmable at some point, because there are so many strands, so much, and it became so psychotic... that's what made it such a great book, but those things would not carry over into the filmic realm, I thought, with ease.

I always thought that at the very time of your life when you want to be cool and sexy and fascinating, you are none of those things. You are a hormonal muddle in your school uniform sitting in double science looking at a boy who you know will never notice you. That was definitely me; I was so shy at school.

I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.