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For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical background and the gestures of certain periods.

For me, 'The Crystal Skull' was something I'd never done before, and I loved every minute of it. Working with Harrison Ford as well - he's a cowboy from Montana, the most unassuming man you'll ever work with, fabulous guy, and I loved it.

For me, the day job comes first. That's why I call myself a diplomat who writes, not a writer who masquerades as a diplomat. If the day job demands it, I won't write at all. I write in what I call 'the crevices of my day job', and that comes only on weekends.