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My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.

My participation in the Art of the Olympians is a natural extension of my athletic career. I find creating a piece of art in many respects mirrors my long jumping efforts illustrating that hard work and inspiration will always be the foundation for success.

My particular historical vantage point is a product of my upbringing as that odd duck, a native Washingtonian whose parents were not in government. The first presidential transition of my sentient lifetime, Kennedy's, I remember vividly.

My particular lifetime, my individual profile, represents something very basic to African-American history and culture because I was a second generation immigrant, so to speak, from the South. My grandfather was born in South Carolina - well, both grandfathers were born in the South.

My particular pain is that the world of Jewishness that I identify with - the extremely assimilated, educated European and Russian Jews in the 19th and 20th centuries - is lost, and is not mourned enough.