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Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.

Literary generations come and go, and each generation passeth away and is heard of no more. In the end, simply the making itself - of poems and stories and essays - delivers the only reward a writer can be sure of. And, perhaps, the only one that matters.

Literary life used to be quite different in Britain in the years I lived there, from 1971 to 1989, because money was not a factor - no one made very much except from U.S. sales and the occasional windfall.

Literary men now routinely tell their readers about their divorces. One literary man who reviews books wrote, in reviewing a study of Ruskin, that he had never read a book by Ruskin but that the study confirmed him in his belief that he didn't want to read a book by Ruskin. This man very often writes about his family life.