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I didn't really hear any other music other than what my dad was working on until I was 12. My recollection of hearing other music was that I liked some things that I heard but I always thought, 'Where's the rest of it?' It didn't have the same amount of detail or instrumentation or imagination in the arrangements.

I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.

I didn't really know how to write jokes, so I just told weird, long stories about being tall and beautiful and wealthy in New York. I'd tell them very seriously, but I kind of looked like a drag queen at the time with big wigs and crazy 12-inch platform heels.

I didn't really know I wanted to act when I was a child. I have a lot of interests, and I really wanted to finish my education - go to college - and didn't really want to have a career as an adolescent.