Mandela is just the eternal man. You want that man to be around forever. It's the closest thing we have to God, I think. He's the father of mankind, almost. Anton Corbijn closeeternalfather Change image and share on social
There are some elements of digital photography that I don't really like, such as the fact that you see the results immediately. Anton Corbijn digitalelementfact Change image and share on social
My world is much bigger than music, and that's why I always fight the 'rock' label. Anton Corbijn bigfightlabel Change image and share on social
Apart from photography and music videos, I also do graphic design. Anton Corbijn designgraphicmusic Change image and share on social
I'm not famous; I am simply very well-known to certain people. Famous is something different. Anton Corbijn famouspeoplesimply Change image and share on social
Generally my focus has been on people who make things, whether it's writers or directors or painters or musicians. Anton Corbijn directorfocusgenerally Change image and share on social
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be the director of, because I had an emotional attachment to the whole story. And because of that experience, I feel that I can try other films. I didn't set out to become a director. Anton Corbijn attachmentcontroldirector share on social
In 1979, I moved to England and photographed Joy Division and Bowie and Beefheart. At that time I got images that I felt had that special, well - power is a big word to say - more like intimacy and ambition that outlasted the photo shoot. I felt that they would have a longer life. Anton Corbijn ambitionbeefheartbig share on social
Working with actors is something I've never done before. I find it tremendous. It's hard work. Anton Corbijn actorfindhard Change image and share on social
My life changed incredibly when I moved from Holland to England. Anton Corbijn changeenglandholland Change image and share on social
