Philip Levine

I have a sense that many Americans, especially those like me with European or foreign parents, feel they have to invent their families just as they have to invent themselves.

I'm saying look, here they come, pay attention. Let your eyes transform what appears ordinary, commonplace, into what it is, a moment in time, an observed fragment of eternity.

My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote.

The thing about Paris, it's a great city for wandering around and buying shoes and nursing a cafe au lait for hours on end and pretending you're Baudelaire. But it's not a city where you can work.

When I have to compete with John Coltrane and Miles Davis and Louie Armstrong on iTunes, which I'm doing now, that's a problem. That means that jazz is not being heard by younger audiences.

Well, I actually wrote her a letter a couple of days ago congratulating her. The tone I tried to convey in the letter is, look, you are a part of a great American historical process.