My buildings should have an emotional core - a space which, in itself, has an emotional nice feeling. Peter Zumthor buildingcoreemotional Change image and share on social
I need a close contact to the client, whoever it is, and a commitment of the client to go out and do a process together. I want to do the best for him. I need his respect and his patience. I want to work with a sophisticated person who's interested in a good building and not in my name. Peter Zumthor buildclientclose share on social
You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin - the same with plywood or veneer, or solid timber. Wood doesn't steal energy from your body the way glass and concrete steal heat. When it's hot, a wood house feels cooler than a concrete one, and when it's cold, the other way around. Peter Zumthor bodybuildcold share on social
My first buildings, when I was about 30, were rejected for aesthetic reasons. Peter Zumthor aestheticbuildingreason Change image and share on social
Designing is a matter of concentration. You go deep into what you want to do. It's about intensive research, really. The concentration is warm and intimate and like the fire inside the earth - intense but not distorted. You can go to a place, really feel it in your heart. It's actually a beautiful feeling. Peter Zumthor beautifulconcentrationdeep share on social
If I look at history, it seems that most wars and most cruel things have been done by men and not by women. Peter Zumthor cruelhistoryman Change image and share on social
Architecture to me is whole. I cannot say I only care about this 25% and the other 75% I let go... it's just I want to work the way I want to work. In my shop, you can order certain things and other things you cannot. They are not available. Peter Zumthor architecturecareorder share on social
I grew up in a craftsman's home, where things were done with our own hands. I did cabinetmaking for four years and I hated it. Peter Zumthor cabinetmakecraftsmangrow Change image and share on social
The first 10 years of my professional life had only to do with running away from my father. He was a wonderful cabinet-maker, and me being the eldest son, I had to take over his shop, his profession and so on and so on. I tried to escape by going to art school and then going on to industrial design and then interior design. Peter Zumthor artcabinetdesign share on social
I think the chance of finding beauty is higher if you don't work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the Swiss farmers. Peter Zumthor architecturebeautychance share on social