Peter Scolari

About a year after 'Bosom Buddies,' I was suddenly a regular on 'Newhart,' and I was there almost seven years. And then, somewhere in the mid-1990s, I ended up doing a TV series version of 'Honey, I Shrunk the Kids.'

My mother sent me lithograph years ago at the height of my television success. It said, 'When your cup runneth over, watcheth out.' I never got over it. There's something so cosmic to be inferred in that. Not necessarily anything bad, and not necessarily anything good.

If you're in pop music, you've got to deal with the changing of the guard every few years. By the time the '70s arrived, I was well aware of the cyclical nature of the game. Pop music is a creature of the moment; it thrives on the mood of its time. Either you hook into that or you're not going to be part of it.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

Though builders may build, in the main they follow the plans of architects. Teachers teach, but they must have a text. Politicians govern, but only upon the flow of commentary that raises them up or casts them down.