If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it. Penelope Spheeris contactestablishfear Change image and share on social
Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them. Penelope Spheeris dearlydeclinelove Change image and share on social
I love punk rock, but I also love metal. Penelope Spheeris lovemetalpunk Change image and share on social
In other countries, it's a common thing to have outcast children running around the streets in packs, and I don't think we're so far away from it here. Penelope Spheeris childcommoncountry Change image and share on social
Your best protection is to have an established agent make the contact. Penelope Spheeris agentcontactestablish Change image and share on social
Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America. Penelope Spheeris americaapproachentity Change image and share on social
The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political. Penelope Spheeris appreciationbanddecline Change image and share on social
I got IRS records to finance what I wanted to do. Penelope Spheeris financerecordwant Change image and share on social
Rabid fans were literally jumping into the camera. Penelope Spheeris camerafanjump Change image and share on social
Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers. Penelope Spheeris blackbookcareer Change image and share on social