I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story. Pawel Pawlikowski characterdocumentaryempirical share on social
I grew up in a secular environment, you know, in the '60s and '70s. My mother's family was Catholic, but you know, just very kind of conventionally Catholic. You know, nothing - there was nothing, you know, extreme about their version of religion. And my father was a free spirit, you know? He had no time for religion at all. Pawel Pawlikowski 60s70scatholic share on social
The whole world, it's a problem that there's too much stuff being produced. We don't have time to reflect on the important things in life. Pawel Pawlikowski importantlifeproblem Change image and share on social
In America, I don't think you have the creative freedom that I'm used to. Traditionally, it's a producer's cinema here. Pawel Pawlikowski americacinemacreative Change image and share on social
My father's mother was a secular Jew who died in Auschwitz. I only found out as an adult because my father never talked about it. He was a secularist and never defined himself in ethnic terms - partly, I think, because he was scared; partly out of the habit of not talking of such things; partly because he didn't like being defined by other people. Pawel Pawlikowski adultauschwitzdefine share on social
I think people crave those meaningful situations, stuff about faith, identity, dilemmas of live paradoxes in our souls. It's going back to a time where lives were really defined by history, and also how you behave in the face of history. It's kind of interesting to go back to that simpler humanity, simpler but deeper. Pawel Pawlikowski backbehavecrave share on social
It's much better to write a book and stick to the research - that's history. In cinema, emotional truth and psychological truth is much more important. Pawel Pawlikowski bookcinemaemotional Change image and share on social
I'm so happy when someone does something original, and there's no focus group or planning committee. If the cinema doesn't get an injection of that once in a while, we're in trouble. Pawel Pawlikowski cinemacommitteefocus Change image and share on social
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape. Pawel Pawlikowski characterexperiencefiction share on social
I'm not emotionally excited by the power of cinema's tricks anymore. Pawel Pawlikowski anymorecinemaemotionally Change image and share on social