I'm more interested in people the way they are than what they've done onscreen before. So I don't worry much about the acting skills or the name, the status. I just think, 'Do I believe this person? Do I like them? Are they interesting, complicated, have the right aura, energy?' Pawel Pawlikowski actauracomplicate share on social
The whole world, it's a problem that there's too much stuff being produced. We don't have time to reflect on the important things in life. Pawel Pawlikowski importantlifeproblem Change image and share on social
Just by my home is an entrance to the sewers they used in the Warsaw uprising. I grew up knowing people died down there. Warsaw was once a battleground; then it became a morgue. It's a city littered with ghosts. And that never left me. Pawel Pawlikowski battlegroundcitydie share on social
I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story. Pawel Pawlikowski characterdocumentaryempirical share on social
I think people crave those meaningful situations, stuff about faith, identity, dilemmas of live paradoxes in our souls. It's going back to a time where lives were really defined by history, and also how you behave in the face of history. It's kind of interesting to go back to that simpler humanity, simpler but deeper. Pawel Pawlikowski backbehavecrave share on social
I'm so happy when someone does something original, and there's no focus group or planning committee. If the cinema doesn't get an injection of that once in a while, we're in trouble. Pawel Pawlikowski cinemacommitteefocus Change image and share on social
I'm not emotionally excited by the power of cinema's tricks anymore. Pawel Pawlikowski anymorecinemaemotionally Change image and share on social
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape. Pawel Pawlikowski characterexperiencefiction share on social
Strangely, you know, my parents, who left Poland separately and, you know, divorced, ended up marrying other people. But then they met again abroad, and they got together again. Pawel Pawlikowski abroaddivorceend Change image and share on social
For me, filmmaking is not exactly a career. I was never in it for Hollywood or anything. My films are markers of where I am in life, where I am in my head. So that's what I'm working on, and I try to keep things in proportion - life and filmmaking. One feeds into the other. Pawel Pawlikowski careerfeedfilm share on social