Paula Hawkins

The journalism, I was a financial journalist - it's very good training as a writer. You have to write for deadlines; you have a certain economy of phrasing. As a training ground as a writer, it's fantastic. I also think it teaches you to be observant, to listen to people, and gives you an ear of dialogue from doing interviews.

I don't have a partner, so I take care of the mortgage by myself, and I was thinking, 'Oh God, I'm going to have to sell the house or find a new career.' I was not in a good place, but it was a real spur to get 'The Girl on the Train' right. I had to nail it and do it really well. It really concentrates the mind, that kind of thing.

I kind of stumbled into acting, even though I've always been fascinated by people and kind of their motives, and it's been amazing to me, everything I read before about psychology, philosophy, just to put it into practice somehow.

I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.