The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually. Paul Hirsch acceptaudiencediscontinuity Change image and share on social
I have always had a certain rhythmic approach to my work. Paul Hirsch approachrhythmicwork Change image and share on social
I have been typecast in my career, although the type changes with the decades. Paul Hirsch careerdecadetype Change image and share on social
When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me. Paul Hirsch feelfeltfilm share on social
