Top 26 Quotes by Neil Marshall

I'm quite interested in adapting some of James Herbert's early work. 'The Dark'... But I was always desperate to do an adaptation of 'War of the Worlds' until the Beard stole it from underneath my feet.

Roman history was kind of unavoidable where I was growing up. It was everywhere - all the place names and ruins and forts. My dad's a history buff, and I spent a lot of time on Hadrian's Wall. I became fascinated by the idea of what was so terrifying up there that the Romans built a 60-mile long, 30ft high stone wall to keep it out?

I don't think they're gratuitous with the nudity on 'Game of Thrones.' It's very much part of the world. There's a lot of it, but that's the world they come from. It never is there to distract from the scene or the actors or story.

One episode of 'Game of Thrones' is equivalent to my film 'Centurion' in budget and scope. 'Centurion' has a longer running time, but that's kind of the only difference, and I think people now, if they want drama, they watch TV.

The guys on 'Game of Thrones' trust me implicitly to take care of the action stuff. I don't mess with their drama, but they allow me to come up with ideas like 'Hey, what if the giant had a bow? And what if he shot some guy off the wall?' With 'Constantine,' too, they really trust me to scare the audience.

Pretty much every society, every culture in the world has some version of the Arthur legend, so everybody knows it; certainly in the western world, everybody knows King Arthur, but nobody knows what happens next.

I love CG - it's a great tool. I just don't think you should use it to replace reality; you should use it to augment and enhance. Do matte paintings, do composites, do replications, stuff like that, but you're taking something real and working with that as opposed to trying to fake it from scratch. The human brain can tell the difference.