Top 30 Quotes by Neil MacGregor

In a very literal way, of course, Shakespeare did change the course of history: when it didn't fit the plot he had in mind, he simply rewrote it. His English histories play fast and loose with chronology and fact to achieve the desired dramatic effect, re-ordering history even as it was then understood.

The collapse of the Tower of Babel is perhaps the central urban myth. It is certainly the most disquieting. In Babylon, the great city that fascinated and horrified the Biblical writers, people of different races and languages, drawn together in pursuit of wealth, tried for the first time to live together - and failed.

The distinction between a gallery and a museum is enormous. The gallery is about looking at a thing of beauty; the purpose of the activity is an aesthetic response. The museum is actually about the object that lets you get into somebody else's life.

As the Persians wrote very little about how they ran their affairs, the Greek propaganda of the 5th century B.C. has for centuries gone virtually unchallenged - indeed, for Edward Said, it was the beginning of Europe's long habit of misunderstanding and ill-informed contempt of the Middle East.

The focus in the Western pictorial tradition is on the body of Christ, the bit you can paint, the Nativity and the infancy, but above all the Passion, where you can find images for every stage and every moment.

The things we make have one supreme quality - they live longer than us. We perish, they survive; we have one life, they have many lives, and in each life they can mean different things. Which means that, while we all have one biography, they have many.

If you are born in 1564, your dislocation from your parents' experience is very profound. You are the first generation who will have had all your religious experience in English, the first to have a countryman circumnavigate the globe. All the power and economic structures of the world are changing around you.