N. K. Jemisin

Magic is the mysteries into which not everyone is so lucky, or unlucky, as to be initiated. It can be affected by belief, the whims of the unseen, harsh language. And it is not. Supposed. To make. Sense. In fact, I think it's coolest when it doesn't.

It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.

Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.

And I think that still is true of this business - which is basically research and development - that you probably spend more time in planning and training and designing for things to go wrong, and how you cope with them, than you do for things to go right.