When I was little, I used to work with my dad on the engine of his car. Mostly this was a matter of me handing him wrenches. Mireille Enos cardadengine Change image and share on social
A lot of cop shows, because they have the restraints of having a new case every episode, the victims often become these kind of nameless, faceless plot points, and as an audience we don't feel anything for those people. Mireille Enos audiencecasecop share on social
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered. Mireille Enos bitecomedydrama Change image and share on social
I know as an actor there is a certain liberation auditioning for a role that has no beauty requirements. Mireille Enos actorauditionbeauty Change image and share on social
AMC has a track record for finding actors who have been working actors but not names yet and casting them. Mireille Enos actoramccast Change image and share on social
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies. Mireille Enos bigclassicalcontemporary share on social
My dad is this very sensible guy who never let me feel that anything was beyond my station. Mireille Enos dadfeelguy Change image and share on social
I personally love a cliffhanger - I think it just extends the pleasure of viewing. Mireille Enos cliffhangerextendlove Change image and share on social
It's kind of part of human nature to want to know the truth or want to be in on the secret. For stories that focus in on that - like whodunits - it's easy to get drawn into. Mireille Enos draweasyfocus Change image and share on social
