Miranda Hart

Being tall when I was youngerl I was always a bit awkward. As a teenager, I was very, very thin, so I was very gangly and limby, and would sweep things off the table without realising how big my wingspan was - just out of control. A lot of women write to me and say, 'I'm six foot and exactly the same happens' - that's been lovely therapy.

If I had had plastic surgery, I would have asked for something better than the face you are seeing! I actually really hate plastic surgery when it's just for aesthetics and anti-ageing. I think ageing is beautiful and expressive and characterful.

I think there are different kinds of comedians, and I prefer the clowns who are going: 'I'm an idiot, aren't we all a bit like this, laugh at me.' Whereas, a lot of other comedians are saying: 'Aren't I clever? You want to be me, aren't I cool? Revere me.' Which is fine. But that's not my bag.

After decades spent in rewrite rooms surrounded by other shouting writers, I discovered that I work best alone. I like being in charge of my time, working out the problems according to my own rhythms and being able to nap. That's a big one, the napping on demand!

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?