No one goes to Pakistan to make movies. You stick out. Mira Nair makemoviepakistan Change image and share on social
From Vietnam's 'Deer Hunter' to Iraq, films are never about the person who has had his house destroyed. Mira Nair deerdestroyfilm Change image and share on social
I'm inspired by people that are marginal. I'm excited by their resilience. Mira Nair exciteinspiremarginal Change image and share on social
I think I am kind of put on this Earth to speak of being between worlds in my films. Mira Nair earthfilmkind Change image and share on social
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that. Mira Nair childcitycommunity share on social
The dignity of everyday life - the beauty of it, the attitude of it - is what I live around. And it is never on screen, and it is certainly never associated with Africa. If we see Africa at all, it is always used as a backdrop: a big blob of a continent rather than a specific street or a country or a place. Mira Nair africaattitudebackdrop share on social
To make films, you have to have something to say. To have something to say, you have to be a student of life. And to be a student of life, you have to be feeding yourself with what life, politics, society, and your family fuels you with. Mira Nair familyfeedfilm share on social
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us. Mira Nair bigcrowego share on social
The film itself should interact with the audience. In the case of 'Queen of Katwe', people are laughing, sobbing and dancing. I am taking them on a ride... It is not like I am asking them for handouts. Mira Nair audiencecasedance share on social
I immediately was captured by 'The Reluctant Fundamentalist.' It gave me a springboard into contemporary Pakistan and a dialogue between Pakistan and the rest of the world. Mira Nair capturecontemporarydialogue Change image and share on social