No one goes to Pakistan to make movies. You stick out. Mira Nair makemoviepakistan Change image and share on social
From Vietnam's 'Deer Hunter' to Iraq, films are never about the person who has had his house destroyed. Mira Nair deerdestroyfilm Change image and share on social
I'm inspired by people that are marginal. I'm excited by their resilience. Mira Nair exciteinspiremarginal Change image and share on social
I think I am kind of put on this Earth to speak of being between worlds in my films. Mira Nair earthfilmkind Change image and share on social
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that. Mira Nair childcitycommunity share on social
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us. Mira Nair bigcrowego share on social
The film itself should interact with the audience. In the case of 'Queen of Katwe', people are laughing, sobbing and dancing. I am taking them on a ride... It is not like I am asking them for handouts. Mira Nair audiencecasedance share on social
We have three generations at home, including my father-in-law. I keep a very low profile, and a lot of things I do are very much with the family in mind. I have actually made films with the family around me. Mira Nair familyfatherfilm share on social
In America, we have so many movies and so much media about the Islamic world, the sub-continental world, but it's not a conversation, it's a monologue. It's always from one point of view. 'If we don't tell our own stories, no one will tell them' is my mantra. Mira Nair americacontinentalconversation share on social
I immediately was captured by 'The Reluctant Fundamentalist.' It gave me a springboard into contemporary Pakistan and a dialogue between Pakistan and the rest of the world. Mira Nair capturecontemporarydialogue Change image and share on social