Michelle Grabner

Do I sometimes hope I wake up in the morning and people are like, 'What's wrong with her? She looks emaciated.' Of course I would love that. I'm such a clothes whore, I would love the opportunity to be a hanger. But I think I'm more confident than I've ever felt in my life.

The whole experience co-curating the Biennial was a learning experience. The Suburban and The Poor Farm are not institutions. They are not by design, organized around power structures. Because I am someone who thrives on delineating context, seeing up close the inner workings of the museum was not wasted on me.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.