All my novels are about people who strive to heal and evolve. Michel Faber evolvehealnovel Change image and share on social
If someone's a cartoon villain, you can dismiss them, but if they behave despicably but you kind of like them, they really get under your skin. Michel Faber behavecartoondespicably Change image and share on social
On an average day, I spend 12 hours listening to music. Very little writing. Michel Faber averagedayhour Change image and share on social
Very few stories embody a human truth so definitively that we cannot think of the truth without remembering the story and cannot imagine how people ever got by without it. Michel Faber definitivelyembodyhuman Change image and share on social
I never, ever want to be in a position where people are sitting round a table, saying, 'We've got this book. I don't really get it, but we paid for it, so we've got to sell it.' I'm not Tony Parsons; that's not right for me. Michel Faber bookhaveparson share on social
'The Crimson Petal and the White' is a book, and it will win or lose the trust of each reader when they begin reading its pages. That relationship will go on. Michel Faber beginbookcrimson Change image and share on social
Really good books need a chaos element: something weird or inexplicable. Michel Faber bookchaoselement Change image and share on social
I think throughout the 20th century, for some reason, serious writers increasingly had contempt for the average reader. You can really see this in the letters of such people as Joyce and Virginia Woolf. Michel Faber 20thaveragecentury share on social
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it. Michel Faber fatehavenovel share on social
One of the things that struck me about the 1870s, which we still haven't nearly addressed, is what to do about the male-female divide. One of the forbidden topics is when men own up to the omnivorousness of their sexual interest and how to square that with being in love with an individual woman. Michel Faber 1870saddressdivide share on social