I think that if you are a serious writer, you are almost obligated to provide the intelligent average reader with something that they can relate to and care about. If you are writing only for a tiny elite, then that surely should sound alarm bells. Michel Faber alarmaveragebell share on social
All my novels are about people who strive to heal and evolve. Michel Faber evolvehealnovel Change image and share on social
By recycling pre-existing material, Shakespeare seemed to endorse a view common in his time, which has become even more entrenched in the 400 years since: that all the truly essential stories are already in the bag. Michel Faber bagcommonendorse share on social
'The Crimson Petal and the White' is a book, and it will win or lose the trust of each reader when they begin reading its pages. That relationship will go on. Michel Faber beginbookcrimson Change image and share on social
Really good books need a chaos element: something weird or inexplicable. Michel Faber bookchaoselement Change image and share on social
I think throughout the 20th century, for some reason, serious writers increasingly had contempt for the average reader. You can really see this in the letters of such people as Joyce and Virginia Woolf. Michel Faber 20thaveragecentury share on social
I think I have written the things I was put on Earth to write. Michel Faber earthputthing Change image and share on social
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it. Michel Faber fatehavenovel share on social
I am open-eyed about what poverty does to people. Michel Faber eyeopenpeople Change image and share on social
I was disinclined to have the status of a writer. Michel Faber disinclinestatuswriter Change image and share on social