The past is still, for us, a place that is not safely settled. Michael Ondaatje pastplacesafely Change image and share on social
I see the poem or the novel ending with an open door. Michael Ondaatje doorendopen Change image and share on social
I don't see novels ending with any real sense of closure. Michael Ondaatje closureendnovel Change image and share on social
That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes. Michael Ondaatje abroadanilback Change image and share on social
To write about someone like myself would be very limiting. Michael Ondaatje limitwrite Change image and share on social
The last three books are much more a case of a moment of history, what happened almost by accident or coincidence, like being in the same elevator or lifeboat. Michael Ondaatje accidentbookcase Change image and share on social
Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity. Michael Ondaatje capacitycluediscover Change image and share on social
A writer uses a pen instead of a scalpel or blow torch. Michael Ondaatje blowpenscalpel Change image and share on social
Research can be a big clunker. It's difficult to know how you can make the historical light. Michael Ondaatje bigclunkerdifficult Change image and share on social
You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel. Michael Ondaatje cubistperfectpoint Change image and share on social