Michael Mann

There's a tired notion that the photojournalist has to be disengaged to be able to shoot what he shoots, and that's such a cliched idea of what the experience is. Of course they're engaged, and they're not distanced.

There's people who live life authentically and there's people who live a life of fabrication. And it begins with the question of how you're gonna do your time. And these are observations I made about Folsom when I was there with Dustin Hoffman when he was directing 'Straight Time.'

Boxing is like chess. You encourage your opponent to make mistakes so you can capitalise on it. People think you get in the ring and see the red mist, but it's not about aggression. Avoiding getting knocked out is tactical.

The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.