Matt Dillon

One thing that everybody told me about directing was, 'Never compromise'. And the whole job is a compromise. So it's very paradoxical. How do you not compromise when the whole thing is about compromise?

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.

I had an instinctive feeling that the people who have little or no school training should have something coming into their homes weekly which dealt with their problems in a simple, helpful way... so I wrote in a plain, common-sense way on the things that concerned our people.