Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones in the Conde Nast building. Marco Brambilla awkwardbuildconde Change image and share on social
I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres, and I wanted to go back to working in a way that was more personal, which, for me, was artwork. Commercials and films are more collaborative. Marco Brambilla artworkbackcinemaphile share on social
I'm very obsessed with the energy of New York and the idea of the way people behave in the city versus the way they behave in a natural environment. Marco Brambilla behavecityenergy Change image and share on social
Thematically, most of my work deals with transition, our culture's constant acceleration, and emotional connection and disconnection through technology. Marco Brambilla accelerationconnectionconstant Change image and share on social
I think in America there's this free flow between fashion, art, architecture, music and design. In Europe, it's more segregated between those different disciplines, I think. Marco Brambilla americaarchitectureart Change image and share on social
Most of my work has no conventional narrative, so it's not essential to have a beginning and an end - your attention can flow in and out of the experience rather than having a set entry point. Marco Brambilla attentionbeginconventional Change image and share on social
I love the idea of bringing my work to the general public, not just people who go to gallery openings. Marco Brambilla bringgallerygeneral Change image and share on social
Just doing a project because it's an opportunity won't create meaning. As an artist, I need something to communicate. Marco Brambilla artistcommunicatecreate Change image and share on social
I like controversy. The more controversial it gets, the more interesting it is. Marco Brambilla controversialcontroversyinterest Change image and share on social
Being able to make work - if it's on your terms, and it's a good fit with the people who are supporting it - can be a very interesting exercise. When it doesn't work is when an artist just connects with a brand, and they try to take advantage of each other. Marco Brambilla advantageartistbrand share on social
