Madeleine Albright

One of the things that was really an issue was I did not want to just be a woman secretary of state. I wanted to be a secretary of a state who was a woman, but not just chosen for that particular reason.

I have always seen the United States as a force of good. And I have learned that there is the idealistic part about what we can do at the U.N. and there is a doable part. And I have learned what is more doable.

In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

I had one of those light bulb 'a ha' moments while screening 'Good Will Hunting' in Camp David in 1998 - Madeleine Albright and the Clintons were there, and I just became really inspired by all of these amazing people. I left the screening asking myself what I could do.