The modern stuff, I can take it or leave it. I like its danceability, but the DJs talk a lot of nonsense. Linton Kwesi Johnson danceabilityleavelot Change image and share on social
I have never, ever sought validation from the arbiters of British poetic taste. Linton Kwesi Johnson arbiterbritishpoetic Change image and share on social
I don't go to see bands any more because I've got tinnitus, so I have to avoid loud music. You get used to it, but when it's quiet you hear a constant ringing. Linton Kwesi Johnson avoidbandconstant Change image and share on social
Younger people are discovering my work, even though my reggae is not like theirs. Linton Kwesi Johnson discoverpeoplereggae Change image and share on social
The more I read my poems, the more I find out about them. I still read them with the same passion I felt when I wrote them as a young man. Linton Kwesi Johnson feltfindman Change image and share on social
At the end of the day, life's about realising one's human potential. I don't know if I've realised mine, but I've certainly gone a long way towards realising some goals and some dreams. Linton Kwesi Johnson daydreamend Change image and share on social
Once you have a disease like cancer, you look at life a bit differently. Some things that were important no longer seem as important as they were. Linton Kwesi Johnson bitecancerdifferently Change image and share on social
I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society. Linton Kwesi Johnson ageanswerarticulate share on social
Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom. Linton Kwesi Johnson angerapprenticeshipback Change image and share on social
I wrote two poems about the '81 uprisings: 'Di Great Insohreckshan' and 'Mekin Histri.' I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time. Linton Kwesi Johnson blackbrixtoncapture share on social