Lake Bell

I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'

The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.

I feel very comfortable with my trajectory because I do have a life; I can go on the subway, you know? And I've been able to do that my entire career, and I have friends who are huge movie stars and can't go on the subway, and I feel like that sucks.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

Software options proliferate extremely easily - too easily, in fact - because too many options create tools that can't ever be used intuitively. Intuitive actions confine the detail work to a dedicated part of the brain, leaving the rest of one's mind free to respond with attention and sensitivity to the changing texture of the moment.