Clem had made it known that Pollock was a great painter. Kenneth Noland clemgreatmake Change image and share on social
In the '50s Morris Louis and I were not known, David Smith and Helen Frankenthaler were not much known. Kenneth Noland 50sdavidfrankenthaler Change image and share on social
Usually I throw away what I don't get right the first time. Kenneth Noland throwtime Change image and share on social
The scene then as now was centered in New York. For the most part, I've kept a bit apart from that attractive and seductive city. I've done it by living in the country within commuting distance. Kenneth Noland attractivebitecenter Change image and share on social
I met David Smith through my former wife, Cornelia, who'd studied with him. Kenneth Noland corneliadavidmeet Change image and share on social
For me context is the key - from that comes the understanding of everything. Kenneth Noland contextkeyunderstand Change image and share on social
Context begins with other artists - seniors and mentors. Kenneth Noland artistbegincontext Change image and share on social
With artists of my own generation there was at first no group identity - and never a clique. Kenneth Noland artistcliquegeneration Change image and share on social
Because of this the representation I'm interested in is of those things only the eye can touch. Kenneth Noland eyeinterestrepresentation Change image and share on social
As time goes on, I realize more and more that, beginning in the early 30's, David Smith began setting the precedent for what was to come later for many of us. Kenneth Noland begindavidearly Change image and share on social