Part of a writer's job is just spacing out, looking into the air and imagining things. Kelly Sue DeConnick airimaginejob Change image and share on social
In a weird way, I think I'm much better at oneshots than longform. So I try to focus on five or six-issue arcs. I have a real fondness for the one-shots because that's where I do my best storytelling. Kelly Sue DeConnick arcfocusfondness Change image and share on social
I feel like I have a kind of mirror blindness where it's hard for me to characterize or analyze my own work. I suspect I'm not unique in this regard. Kelly Sue DeConnick analyzeblindnesscharacterize Change image and share on social
'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!' Kelly Sue DeConnick africanageamerican share on social
Romantic relationships are the least interesting thing for me to write about. I'm 45, and that's not the most interesting thing in my life anymore. Kelly Sue DeConnick anymoreinterestlife Change image and share on social
There's nothing less funny than trying to force funny. Kelly Sue DeConnick forcefunny Change image and share on social
I think women have every right to feel like they're the protagonists in their own stories. Kelly Sue DeConnick feelprotagoniststory Change image and share on social
The notion that somehow women are wildly different infuriates me. Kelly Sue DeConnick infuriatenotionwildly Change image and share on social
I tend to choose collaborators who are more courageous than I am. I think it's good for me. Kelly Sue DeConnick choosecollaboratorcourageous Change image and share on social
For hard resets, conventions and conferences can be inspiring. Kelly Sue DeConnick conferenceconventionhard Change image and share on social