In a weird way, I think I'm much better at oneshots than longform. So I try to focus on five or six-issue arcs. I have a real fondness for the one-shots because that's where I do my best storytelling. Kelly Sue DeConnick arcfocusfondness Change image and share on social
I feel like I have a kind of mirror blindness where it's hard for me to characterize or analyze my own work. I suspect I'm not unique in this regard. Kelly Sue DeConnick analyzeblindnesscharacterize Change image and share on social
I need to go where I'm not comfortable. I think that's the artist's job. Kelly Sue DeConnick artistcomfortablejob Change image and share on social
I used to write reviews for 'Artbomb.' Our policy was to only cover books we loved and recommended. Kelly Sue DeConnick artbombbookcover Change image and share on social
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting. Kelly Sue DeConnick charactercharacterizationcover Change image and share on social
If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie. Kelly Sue DeConnick comiccostcrazy share on social
I kind of resent the suggestion that there would be something inherent about superheroes that wouldn't be of interest to women. That makes me nuts. I'm a 5-foot tall woman with a quick temper who always looks like a child, so power fantasies are not strange to me. Kelly Sue DeConnick childfantasyfoot share on social
Complicated feelings are fertile soil for creative ideas. Kelly Sue DeConnick complicatecreativefeeling Change image and share on social
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers. Kelly Sue DeConnick comicconsumercreator Change image and share on social
