In a weird way, I think I'm much better at oneshots than longform. So I try to focus on five or six-issue arcs. I have a real fondness for the one-shots because that's where I do my best storytelling. Kelly Sue DeConnick arcfocusfondness Change image and share on social
I feel like I have a kind of mirror blindness where it's hard for me to characterize or analyze my own work. I suspect I'm not unique in this regard. Kelly Sue DeConnick analyzeblindnesscharacterize Change image and share on social
I need to go where I'm not comfortable. I think that's the artist's job. Kelly Sue DeConnick artistcomfortablejob Change image and share on social
I used to write reviews for 'Artbomb.' Our policy was to only cover books we loved and recommended. Kelly Sue DeConnick artbombbookcover Change image and share on social
Being a woman in a male-dominated industry sort of sucks, but it doesn't suck any more than being a woman in the world. My advice? Be terrifying. Kelly Sue DeConnick advicedominateindustry Change image and share on social
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting. Kelly Sue DeConnick charactercharacterizationcover Change image and share on social
If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie. Kelly Sue DeConnick comiccostcrazy share on social
Complicated feelings are fertile soil for creative ideas. Kelly Sue DeConnick complicatecreativefeeling Change image and share on social
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers. Kelly Sue DeConnick comicconsumercreator Change image and share on social
