Kellan Lutz

When I was doing 'Generation Kill' in Africa I worked with five really super-trained Navy SEALs who taught us all these moves like how to disarm people: if there's a bar fight and someone's got a chair or there's someone with a gun behind our head, how to disable them and take them down in a swift move.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

I remember Detroit feeling really unsafe, feeling scared a lot. Our house was broken into, our car was stolen, we had to get a watchdog, we would get beat up in the street, I had my bike stolen. There was just a lot of real anarchy on the streets and sidewalks.