My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been. Kate Christensen begindrinkflounder Change image and share on social
I love the perspective afforded by having lived five decades, a degree of bemused and muted calm, a relief from the insistent demands of a turbulent ego and rampant ambition. I'd love to stay here forever. But something tells me that 50 is a sunny idyll, a temporary state of grace, a golden afternoon. Kate Christensen affordafternoonambition share on social
Even more than dying itself, I'm scared of the horror-movie changes that happen to the human body as it ages. I think of it as a sort of haunted-house effect, living inside a crumbling, creaking structure that is full of ghosts and will, some day, fall down. Kate Christensen agebodycreak share on social
In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side. Kate Christensen americanapartmentarizona share on social
I wanted to write a food book, but I'm not a chef or an expert on culinary matters, to put it mildly. Kate Christensen bookchefculinary Change image and share on social
Whenever possible, I use local, fresh ingredients, just because it tastes and feels better to eat an egg or a tomato or a hamburger that wasn't flown halfway around the world, that didn't travel on a truck and get stuck in traffic jams, that hasn't been sitting in a supermarket's refrigerator case for days. Kate Christensen casedayeat share on social
In a family of all girls, I was always the 'boy' in my mind - the protector, the masculine one. No one would ever have to worry about me. Kate Christensen boyfamilygirl Change image and share on social
'American Music' is an inventive, passionate, pithy novel whose major theme is love itself and whose minor theme, music, is an emotional, meaningful counterpoint. Like Count Basie and His Orchestra, this book swings. Kate Christensen americanbasiebook share on social
I regretted the solitary nature of the writer's life - other people, normal working people, spent their days with co-workers, rode the subway home with a crowd, walked through thronged streets. I worked at home, all by myself. Kate Christensen crowddayhome share on social