Kate Bernheimer

In the old fairy tales, often a 'moral' was tacked on at the end of the story - say, if a book was going to be marketed to young readers. And the morals don't really suit the stories at all, which makes them super weird - part of why I love the tradition so much. I do play with this, though I am more concerned with ethics than morals.

Sometimes, violent details have been eliminated from fairy tales simply because they were deemed too graphic. So one does not, at the end of Disney's version of 'Cinderella,' see the stepsisters' eyes get pecked and pecked by doves, because Disney wanted to market the story for wholesome family viewing.

I often visit Maria Tatar's 'The Grimm Reader' for a cold dose of courage. Her translations come from the Brothers Grimm, whose now-famous collection of 'Kinder- und Hausmarchen' ('Children's and Household Tales') was first published in 1812. The book was not intended for young readers.

I didn't want to be the archetypal sponging brother-in-law, so I didn't go into acting when I got to the States. I thought, 'No, I'll go to school and then I'll be an English teacher; that'll be fun.' But I was horrible as a teacher. As hard as I tried, I just couldn't inspire those kids to take an interest in Milton and Shakespeare and Donne.