Kat Edmonson

The first song that I remember writing in its entirety was when I was 9 years old. I wrote it on a bus, on a field trip. It was called 'Mystery Man,' and in retrospect, it was the beginning of my exploration of what it was like to have a man in your life, because I didn't.

New York musicians rarely have the time for idle chat and conversation after a gig. Despite popular assumption of our scintillating after-hours, that illusion is overtaken by the constant hustle to juggle a part-time or full-time job, a myriad of errands, a second or third gig of the day, and perhaps a child or two somewhere.

I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.