A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they feel. Karen Traviss charactereyefeel share on social
I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves. Karen Traviss approachbackgroundcarry share on social
My books deliberately provide no answers or messages. I'm drilled in the habit of objectivity and also aware that the steady drip of fiction has more power than facts to shape opinion, so I handle it with caution. Karen Traviss answerawarebook share on social
All the things worth writing about are outside me. I'm a lens, not a source. And even if it's not always a comfortable journey, it's always a stimulating one. Karen Traviss comfortablejourneylens Change image and share on social
I still have a lot of military contacts, and friends and readers who've served or are serving, and they react really strongly to G.I. Joe. I've lost count of the number who've said, 'Oh, I just loved it as a kid. I had all the figures; it really made me think.' Karen Traviss contactcountfigure share on social
Characters have changed my mind about some very fundamental moral issues, and that's the real satisfaction in the way I write - the ultimate learning experience. Karen Traviss changecharacterexperience Change image and share on social
If you go back and look at the early promos for Gears 1, you'll see just how different the characters were from the actual first game, both in appearance and background. And it's an evolutionary process. Karen Traviss actualappearanceback share on social
Recreating the experience of, say, bereavement in my own head is pretty rough. I was used to switching off from emotions every day of my working life as a journalist, but in fiction, you have to feel it 100%, or else it's a flat experience for the reader. Karen Traviss bereavementdayemotion share on social
I'm still an old-school reporter at heart. Writing fiction satisfies my journalistic need to hear and relay the testimony of everyday people at the center of events. Karen Traviss centereventeveryday Change image and share on social
The biggest battles in human history can only ever be seen through the eyes of the bloke on the front line, and that's by definition a very focused view and one that will vary from individual to individual. Karen Traviss battlebigbloke share on social