Judith Tarr

Rawn did her own thing in her own way. She cast the female gaze on a genre heavy with all-male quest fellowships, trophy females, and the occasional Smurfette. Her world was male-dominated and highly patriarchal, but she populated it with notable numbers of well-drawn female characters.

So much of our fictional medievalism is distorted through a lens of Protestantism and the Reformation, slanted even further through Victorian anti-Catholicism. The depiction of actual medieval attitudes toward the Church is remarkably rare.