What's fun about chefs is that they're big guys, often, and they might not look like the most athletic people, but they're very powerful people, and they have tremendous stamina... It takes a toll on their body, too. Jon Favreau athleticbigbody share on social
David Anspaugh, who was my first director, on 'Rudy,' was all about empowering the actor, making you feel comfortable and appreciated, allowing you to keep your dignity, and treating you like a man. Being treated like a grown-up makes you proud to be involved in a film. Jon Favreau actorallowanspaugh share on social
There is no free lunch, so if you're playing with the big train set - on big movies - it's a lot of money they're entrusting you with, and you have to get that money back for them. I don't take that responsibility lightly. Jon Favreau backbigentrust share on social
There's a lot of real estate in our brain dedicated to facial recognition and to physics. That takes a lot of processing power out of our brain. Jon Favreau braindedicateestate Change image and share on social
I was the worst extra, I was 'that' guy. I was the guy on the phone trying to get the Oscar for best extra - for best background performance. Jon Favreau backgroundbadextra Change image and share on social
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces. Jon Favreau bigbroadcomedy share on social
If you look at the mythology of aliens, there's a lot about gold. It's about them coming for gold; whether that's a simplification or not. If you think of 'Chariot of the Gods,' there's this reoccurring theme of gold. Jon Favreau alienchariotcome share on social
Of course I danced a lot when I was making 'Swingers.' The swing music scene was big in Hollywood, and I went to places like The Derby. And, after I wrote it and was trying to get it made, I would go every week so I'd be good at dancing. Jon Favreau bigdancederby share on social
Back to the painting of the Sistine Chapel, there's always been run-ins between benefactors and artists. Jon Favreau artistbackbenefactor Change image and share on social
For a movie - any movie - to work, all the bread has to fall jelly side up; everything has to go right. You have to hit the zeitgeist. Jon Favreau breadfallhit Change image and share on social