John Tavener

When I talk of primordial innocence, I hear it in Sufi music with the nay flute. I see it in Coptic icons, in most traditional art, particularly art of the American Indian. I find the texts extraordinarily beautiful and very childlike and very simple. I've been particularly interested in American Indian texts.

I've written a very long piece of music recently, the 'Veil of the Temple,' which lasts about seven hours. It's really a kind of vigil. It takes place during the night, waiting for the resurrection of Christ.

I am so tired of ruggedly handsome heroes. I don't know too many ruggedly handsome people who are necessarily nice people. In fact, the beautiful people have a big handicap because they rely too much on their appearance and don't bother to become interesting.

In affluent communities, where each member is keenly aware of his or her place within the Byzantine order, attracting the right friends is a blood sport. Chumming up to influential figures who are in a position to help can determine the course of an entire life.