I've been writing plays since the seventies and only came to moviemaking when I basically realized that I needed some money to pay the rent. I started to watch films with an eye to figuring out how to write them. John Patrick Shanley basicallyeyefigure share on social
I would say that my parents were intermittently proud of me. They couldn't hang onto it, you know? It would come and go, like the flu. John Patrick Shanley fluhangintermittently Change image and share on social
Playwriting is the last great bastion of the individual writer. It's exciting precisely because it's where the money isn't. Money goes to safety, to consensus. It's not individualism. John Patrick Shanley bastionconsensusexcit Change image and share on social
I became a playwright and screenwriter. Italian-Americans were my particular specialty. I liked the way they talked. There was something free in it. John Patrick Shanley americanfreeitalian Change image and share on social
Women consume, and they must be directed what to consume, or they may identify you as lunch. John Patrick Shanley consumedirectidentify Change image and share on social
Some actors are brilliant in David Mamet, but they would crash and burn in my plays and visa-versa. You either have my music in your body, or you don't. John Patrick Shanley actorbodybrilliant Change image and share on social
You have to live in order to have something to write about - you get caught up in moviemaking and celebrities and money, and it's very intoxicating, but it doesn't give you what you need as a writer. You have to do something else for that. John Patrick Shanley catchcelebritygive share on social
Trying to lead an interesting life, a fruitful life, is a big challenge. John Patrick Shanley bigchallengefruitful Change image and share on social
Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it gets to be a really difficult re-conception. John Patrick Shanley backcastconception share on social
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish. John Patrick Shanley 1920sbackbear share on social