Trying to lead an interesting life, a fruitful life, is a big challenge. John Patrick Shanley bigchallengefruitful Change image and share on social
You have to live in order to have something to write about - you get caught up in moviemaking and celebrities and money, and it's very intoxicating, but it doesn't give you what you need as a writer. You have to do something else for that. John Patrick Shanley catchcelebritygive share on social
I would say that my parents were intermittently proud of me. They couldn't hang onto it, you know? It would come and go, like the flu. John Patrick Shanley fluhangintermittently Change image and share on social
It wasn't until I was 35 or 36, when I wrote 'Danny and the Deep Blue Sea,' that I began to get some notoriety, though I only made $5,000. John Patrick Shanley 000beginblue Change image and share on social
If you put someone in a room with no script to direct, they're just going to sit there. Writing scripts is the execution for a show. Then the director takes that and hires people. It's like trying to build a house without any bricks. You need the script. I could build the house, but I have to know how. John Patrick Shanley brickbuilddirect share on social
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish. John Patrick Shanley 1920sbackbear share on social
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. That's what writing a screenplay is. John Patrick Shanley directlotmovie Change image and share on social
The modern economics of the theater is such that we write plays with fewer and fewer characters. John Patrick Shanley charactereconomicsfew Change image and share on social
I've been writing plays since the seventies and only came to moviemaking when I basically realized that I needed some money to pay the rent. I started to watch films with an eye to figuring out how to write them. John Patrick Shanley basicallyeyefigure share on social
Back when you were doing plays like 'The Miracle Worker,' you had 20, 25 people in the cast. When you go to make the film, that's not such a stretch. But when you're doing plays like 'Proof,' it's just five people or something in the thing, and it gets to be a really difficult re-conception. John Patrick Shanley backcastconception share on social