Completing a book, it's a little like having a baby. John le Carre babybookcomplete Change image and share on social
Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from, and they're also relying tremendously on the creative imagination of the reader. John le Carre castcomecreative share on social
The monsters of our childhood do not fade away, neither are they ever wholly monstrous. But neither, in my experience, do we ever reach a plane of detachment regarding our parents, however wise and old we may become. To pretend otherwise is to cheat. John le Carre cheatchildhooddetachment share on social
Every writer knows he is spurious; every fiction writer would rather be credible than authentic. John le Carre authenticcrediblefiction Change image and share on social
I think that where I've watched a movie go wrong, it's usually because the dread committee has been interfering with it. John le Carre committeedreadhave Change image and share on social
I think bankers will always get away with whatever they can get away with. John le Carre banker Change image and share on social
When you're my age and you see a story, you better go for it pretty quickly. I'd just like to get a few more novels under my belt. John le Carre agebeltnovel Change image and share on social
Once you've lived the inside-out world of espionage, you never shed it. It's a mentality, a double standard of existence. John le Carre doubleespionageexistence Change image and share on social
I wrote 'The Spy Who Came in from the Cold' at the age of 30 under intense, unshared personal stress and in extreme privacy. As an intelligence officer in the guise of a junior diplomat at the British Embassy in Bonn, I was a secret to my colleagues, and much of the time to myself. John le Carre agebonnbritish share on social
There was an ITV television production of the second novel I wrote, called 'Murder of Quality.' It was a little murder story set in a public school - I'd once taught at Eton, and I used that stuff. John le Carre calletonitv Change image and share on social