I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey. John Eaton actioncontextconvey Change image and share on social
The way that I got involved with microtonal music was, frankly, through jazz. John Eaton franklyinvolvejazz Change image and share on social
We need it to capture the energy of contemporary life. John Eaton capturecontemporaryenergy Change image and share on social
I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that. John Eaton audiencecomposerexpect Change image and share on social
However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults. John Eaton faultgenerallyhope Change image and share on social
I've just simply used what I've used because of the great, great expressive potential of it. John Eaton expressivegreathave Change image and share on social
I think one of the greatest enemies in the use of technology, however, is the idea that if you use the technology you have to throw other things out of the window. John Eaton enemygreatidea Change image and share on social
It's not important to me to found a school; it's not important to me to have disciples. John Eaton disciplefindimportant Change image and share on social
But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world. John Eaton mattermusicopus Change image and share on social