When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm. Joan Didion backbookconstantly Change image and share on social
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing. Joan Didion finishmatternonfiction share on social
I never had much interest in being a child. As a way of being it seemed flat, failed to engage. Joan Didion childengagefail Change image and share on social
Memories are what you no longer want to remember. Joan Didion longmemoryremember Change image and share on social
To make an omelette, you need not only those broken eggs but someone 'oppressed' to beat them: every revolutionist is presumed to understand that, and also every woman, which either does or does not make 51 percent of the population of the United States a potentially revolutionary class. Joan Didion beatbreakclass share on social
Hemingway was really early. I probably started reading him when I was just eleven or twelve. There was just something magnetic to me in the arrangement of those sentences. Because they were so simple - or rather they appeared to be so simple, but they weren't. Joan Didion appeararrangementearly share on social
You can throw a novel into focus with one overheard line. Joan Didion focuslineoverhear Change image and share on social