It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it. Jim Hodges collaboratedrawhand Change image and share on social
I move very slowly. It's usually material first. I sit with the material for a long time. Jim Hodges longmaterialmove Change image and share on social
When I started working with mirrors, it seemed to be the perfect material to stand in for that waiting. Jim Hodges materialmirrorperfect Change image and share on social
I work from a personal place, and the work has personal meaning for me. Jim Hodges meanpersonalplace Change image and share on social
I think that some works are more accessible than others. Jim Hodges accessiblework Change image and share on social
As a viewer, my own work elicits strong emotional reaction from me. Jim Hodges elicitemotionalreaction Change image and share on social
I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences. Jim Hodges autobiographydevelopmentemotional share on social
Landscape is a piece that is emotional and psychological. Jim Hodges emotionallandscapepiece Change image and share on social
I wasn't interested in holding onto the evidence of things. Jim Hodges evidenceholdinterest Change image and share on social
