Jerome Charyn

'Empire of Self' is a loving portrait of a very difficult man. Jay Parini, himself a gifted novelist, poet and biographer, has gone very deep into the 'black energy' of Gore Vidal's relentless narcissism and megalomania. Parini envisions an epic battle between Vidal's angelic and demonic sides, yet there's very little of the angel in Vidal.

Compared with my brother, I always felt like Richard III, some clever humpbacked thing who surpassed him in the end. He was the one who read books, but I became the writer. He painted and drew, but I was the one who got accepted by the High School of Music and Art.

I believe in monstrosities, and 'I Am Abraham' is a monstrosity of sorts, raveling out moment by moment with its contrapuntal songs, as if a band of musicians were at play, all of them with Lincoln's beard and disturbing grey eyes.

Sometimes you see films, not just science fiction films, where you get the sense that if the camera were to pan just to the left or the right, all of a sudden you'd be seeing light stands and crew standing around. But with 'Blade Runner,' the beauty of it is that it felt like a real, breathing city.