Jenna Blum

My dad, Bob Blum, used to dash across Grand Central's main terminal catwalk several times daily as a young CBS correspondent, running copy from newsroom to studio and back - because CBS' first broadcasts were from Grand Central Terminal. The pictures on people's television sets used to shake when the trains came in!

'The Lucky One' features a young concentration camp survivor named Peter Rashkin - who's about the age my dad was when he started at CBS - working at the Oyster Bar, trying to acclimate to his new country and outrun the memories of the daily he left behind.

When I lived in Minneapolis in my twenties, and my mom lived there, too, I used to take her 'storm chasing' - by which I mean I'd see a pulsing blob of radar on The Weather Channel and make her drive us toward the storm.

I think hallucinations need to be discussed. There are all sorts of hallucinations, and then many sorts which are okay, like the ones I think which most of us have in bed at night before we fall asleep, when we can see all sorts of patterns or faces and scenes.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.