Ingmar Bergman

For me, the human face is the most important subject of the cinema.

There is something joyous about not talking.

Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying.

I always dreamed of writing in an orchestral context. But when you finish a piece, you want to hear it. So we played everything with Phish.

All of my films have been autobiographical - it's all I've got to go on.

Hatred is a very underestimated emotion.